Page 95 - Jazz
P. 95

pop “dissidents” of the Kamocsa Bella or Mircea
              Florian and to those who radiated/exuded style
              and calm like Johnny Bota and Tony Kühn,
             to Mircea Tiberian and Harry Taviatian, to
             Puiu Pascu, Aura Urziceanu and Anca Parghel
            (she who has gone to the Eternal East) and to
            many others who whispered to me something
            impossible to share, since our feelings, lava-
           flowing, subtle and creative as they are, cannot
           translate into/express in words what we have
          received into the very substance of our being,
          which…is that whisper of the Absolute Being
         of which we are part and which we continue to
         experience as long as our portions of life (and
         hence of feeling) endure, which comes from
        always and will leave for always.
       	I listened to Summertime interpreted in a
       huge variety of ways and realized that a jazz
       Summertime can have the same resonance as
      Summertime sung by the inimitable Janis Joplin
      and can even plumb the depths from which you
      feel a tear for Cosmic Blues preparing to well
     up. And I discovered Summertime within myself
     as a part of Mozart’s Requiem, or echoes of the
    clavichord used by Bach and Handel, or like the
    delicate sounds modulated in more recent times
   by Portishead or Massive Attack, together with
   the strange perfumes of concert halls where it
   seems that even the sound enters the olfactory
  nerve in order to penetrate even more deeply into
 the memory, where it remains in a distilled state
 with its identity multiplied to the absolute. STATE
 without passivity. Without duality. The state of
feeling the inner presence of Being pausing to rest
within us for an instant, the Being that comes from
always and will return to always.

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